Archive for Tools

Cones of plenty

I was finishing up this top:

when the mail carrier arrived. I’ve been trying to make time for a little something Authentic. It was one of those make it up as you go along things. Which is not really the best approach in the interest of time. Because I cut a set of strips, sewed them together, liked what was going on and then proceeded to cut another set of strips. Which finally led to a third session of strip cutting and sewing to finish the job. Indirect but not necessarily as inefficient as it felt, I guess.

So, the mail carrier resolved the impending piecing thread crisis:

A little later the UPS man solved the quilting thread crisis:

I ordered the Superior direct from Superior. I ordered the Aurifil from a new to me place called Pumpkinvine Corner. Pumpkinvine has great prices on Aurifil. Had to order two cones to get the superb cone price but I will definitely go through these.

Ahh, that’s better to have the thread pantry re-stocked.

So what did I do after the thread issues were resolved? Played with the tape, of course:

And I ran out of tape while doing this.

For the U.S. readers, may you and your families have a wonderful Thanksgiving! I’m going to gobble up some Tofurkey.

 

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I am totally going to use this fabric

…for some other project.

Yes, I can finish the story I mentioned on Friday. But it got a little funnier over the weekend.

See, I finally decided on a color scheme for the petals for Kellie’s Joseph’s Coat Quilt-along. I’m going for the colors in Kaffe’s Umber Lotus Leaf fabric. After making some fabric selections, the colors fell flat on the grey above. So, I ordered a darker Kaufman Kona grey — coal, to be exact. My story was going to be about my penchant for dithering when it comes to background fabrics.

Heehee, but before my new fabric arrived, I saw Cathy’s post. The coal color wasn’t working out for her. I laughed. She could have just sent me hers. heehee!

Anyhoo, a Very Important Parcel arrived on Saturday:

I mean to tell you, I LOVE the urgent yellow color of Hancock’s of Paducah’s packaging! I love it! It says Coming through, urgent and important stuff inside!

And, voila:

Much better!

I’ve left this on the dining room table all day. Each time I pass by, I get a smile on my face. Yes, that’s the grey I needed for this project! The lighter grey will definitely be put to good use. In another project.

Speaking of finding the right color… I’m short on all kinds of thread these days. Today was the day to admit that I need more piecing thread. I’ve been avoiding it only because, well, you see, I have several-many wayward Aurifil caps but wasn’t quite sure which belong to my two “go to” colors. I selected the four below based on number of occurrences in the pile. After some investi-guessing, I have concluded that I need a cone of 5011 and a cone of 2605. I think. Well, that’s what’s been ordered so that’s what is right right now.

I’m sure there is a better system for this.

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My biases

I’ve been sewing up a bunch of bias-y edges. I was a little nervous. But we did just fine together:

whimsy

I cut the blocks with Bella Nonna’s Boondoggle ruler. Using the ruler made it fun and fast. The thing I liked best about the ruler was that center lines and their seam lines were marked on the ruler — which made it very easy to cut the setting and corner triangles. I mean, I would have figured it out, but it’s nice that the ruler did it for me. Sweet!

The fabrics are mostly from the latest colorway of Pillow & Maxfield’s Whimsy fabric. Of the three colorways, this one is my favorite. Not that there’s a bad colorway in the bunch. They are all big, bold and beautiful. The important Three Bs of fabric…

Now, I just need to finish sewing down the binding on the Full Bloom (taking forever…) quilt. AND, I also need to get some starts stuck to a blue sweater:

sweater

I’m voting for using Fabric Tac but my conscience for some reason is pushing for hand sewing them on. We are on a tight time frame here, people (there’s more than one voice in my head?), and someone is going to a Halloween party on Saturday night as Coraline. Sorting out the blue hair turned out to be tricky. One bottle of demi-permanent hair color and two wigs later, I think we’ve got it. But, gosh, there are A LOT of blue sweaters to consider at the thrift store.

Hope your week is going well!

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Pincushion rings

I forgot to mention that I am currently obsessed with these.

Please don’t buy them ALL.

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I heart circles

When we last met, I mentioned my love for circles in quilts — pieced circles (wedges…), whole circles — I’m an equal opportunity circle lover. Except when it comes to execution of quilts with lots of whole circles. I’d get all jazzed up about starting a circle quilt, start with my favorite method of prepping circles and then get entirely bored and bogged down in the prep work. ::sniffle:: No circle quilts until you prep your circles, young lady!

Mind you, I’d had one of those quilt-life-altering experiences when I took a class from Karen Kay Buckley. You know, those moments when a great teacher shows you something and you feel like they’ve just unlocked the secrets of the universe. That’s what she did one fine spring day in northern Michigan. She showed us how to make perfect circles with heat resistant templates (or washers, at the time), starch and a running stitch. As in, trace your circle template, stitch an even running stitch within the 1/4″ seam allowance (leaving a nice tail), put the template back in the circle, pull up the stitches, paint the seam allowance with starch and dry it with a medium hot iron. Carefully, loosen a few stitches so you can remove the template, gather the circle back up and give it one last good press. Voila! Perfect circles, no pointy, uneven or flat bits.

Now, if you want to see a demo of this, Karen Kay Buckley has a new applique DVD out. I am certain it is wonderful because she is a fabulous teacher! You can also go see the lovely Janet’s post which includes another mind-blowing idea for small circles (i.e., don’t cut out your circle until you’ve done the running stitch!)! We are surrounded by genius!

Anyhoo, since the Karen Kay Buckley class, I’ve used this method to prep circles. But, gosh, a girl’s attention can start to wander when she has eighty-bazillion large-ish circles to prep. The running stitch on the larger circles just takes such a long time. Whine, whine, whine.

Knowing that, I — for some reason — volunteered to do a circle quilt recently. Well, what can I say, the fabrics were fun and the method was a stroke of genius by Mary Lou Hallenbeck. This method makes great use of the fabric because you cut out your circle from a square and then you applique a circle back onto the square after you’ve done a little magic trick to the square — make the hole in the square smaller by adding 1/4″ seams.

But there was still the problem of prepping the circles that would be appliqued to the squares…hmmm…. I do love a good round of Trouble-shoot This Quilt (the home game). What to do, what to do. I went to my bookshelves. Surely there was circle info and inspiration there.

Here’s something to consider, the six-minute circle as described by Dale Fleming in Pieced Curves So Simple:

piecedcurves

You can find a tutorial for this at HGTV’s site or over at Dioramarama.

Nope, that wouldn’t work in this situation since I didn’t have a square upon which to applique the circle. I mean, I guess I could have tried and then wept in frustration because my seam allowances weren’t working out.

I also had Reynola Pakusich’s Circle Play book:

circleplay

Say, what’s this? She cuts out circles from freezer paper, irons them to the wrong side of the circle fabric, cuts out adding seam allowance and then MACHINE STITCHES within the seam allowance. She then gathers the machine stitching and presses it around the freezer paper. That sounded promising.

So, I tried it. But I found that I was getting flat spots when I pulled up the stitching. I then tried NOT pulling up the stitching. EUREKA! The machine gathering stitch made these nice little cups anyway, so I could insert my heat resistant template into the middle, paint the seam allowance with starch, press with the iron and do a dance of joy.

I started out with a pile of circles and a pile of, well, holes:

holes

I machine stitched around all of the circles making these Gelato cups:

circlecups

And then I added the circle template (cut from heat resistant template plastic):

circ1

And worked my way around, painting the seam allowance with starch, drying it with the iron, painting a little more seam allowance and so on. I really like using a small stencil brush for painting the starch on — the bristles are short and strong and really help to turn the seam allowance up over the template’s edge:

circ2

circ3

circ4

I can then easily slip the template plastic out of the pressed circle:

circ5

Keep going until you have a pile of prepped circles:

circpile
Meanwhile, your sewing alter ego is stitching 1/4 seam allowances in the holes:

seamallow
Next, you’ll wanna clean the dried glue out of your Roxanne’s applique glue applicator:

glue

Yes, it’s worth it to do this…

Then apply glue dots around the circle’s seam allowance (I found it is less messy to put the glue on the circle rather than on the hole…):

circglue

Then turn a hole square, if you will, onto the back of the circle and ease the hole around to make it fit onto the circle. This was tricky because I didn’t have much leeway given the method involved and the touchiness of the seam allowance. I decided to use this approach because the background/hole square was very unstable at this point. I figured glue basting would help me out. The seams in the background/hole square want to poke out, so it’s very important when glue basting to get the seams securely glued to the circle’s seam allowance.

circbaste

I then let my squares dry for a while before taking them to the machine to applique:

dry

After they’ve dried for a little while, I use invisible thread and a variant of a blind hem stitch on the machine to applique the circles to the background:

circles2

After the applique is done, I like to give the squares a shot of starch and then press with a pressing cloth. I may have to trim some of my corners to straighten the blocks slightly.

The prep with this method is a little tricky, like I said, because you’ve cut the circles from the same background squares. The finished circle size MUST cover the hole in the background. I found it helped to take a generous 1/4″ seam allowance in the background squares.

I think this method works best for larger circles, the ones above are about 4 1/2″, the ones below are 3 1/2″. I’ll continue to do a hand running stitch for smaller circles as I think it will give the best result for the smaller ones.

But, really, this method of prepping circles can be used when you don’t have the added trickiness of having cut your circles from your background squares. I mentioned Anne Perry’s Jelly Beans quilt yesterday and I have begun prepping circles to make a version:

circle1

circle2
This is going to work wonders for this quilt!

jellybeansprep

I now have a tidy pile of circles to hand applique to full squares of background. Can almost get one done while sitting in the kid camp pick-up queue.

I don’t know, this has just been a very satisfying session of trouble shooting this week and I feel like I’ve broken through my barrier (laziness…) to more circle quilts. I hope this helps someone else too. If you’d like something clarified or have questions, just leave a comment! Happy circling!

Now I’m off to see an art show — the gallery showing of what the art campers have done this week. Up until today, I thought we’d paid only for a t-shirt and the orange band indicating that someone had passed the swimming test. Now, I’ll get to see all of the inspired creations too!

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She’s baaaaaack…

The sewing machine, that is.  She’s back from the spa. At least she’s not breaking stitches when quilting. In reality, yes, I am PICKY about my quilting stitches and I’m not enthralled her stitches anymore. I need them to be factory fresh like they used to be. I wonder if she needs to travel to her homeland sometime to get her back to the stitches I knew and loved. Maybe I should take her there myself. Ah, well… At least I can wind bobbins now. I may be adding the Sidewinder to my cadre of tools soon too.

Here is a sneakity peekity of something the machine and I did today:

swirls

I love the shadows created on the quilted linen. Hmmm….should I show you part of what she is attached to:

swirls2

Yes, a little bit of Christmas fabric. In July. Hmmm… That is all I can divulge. I will say that at some point this week, I thought it would be easier to make a quilt than, say, a garment.

I’ve been making a garment this week. I’ll show you that when I feel better about it. I used to spend my young summers sewing garments. In an un-air conditioned house. I was sticky with sweat and dog hairs (because I cut out my patterns on the floor). Every garment ended up mediocre. I remember the sick feeling when I would be nearly done — realizing that something had gone awry and this garment would not meet my vision. Well, why couldn’t the middy braid fix the purple and white print for the sailor top???? I’m still waiting for the answer to that.

So, this week, I’ve hearkened back to early days of sewing. And my garment has indeed turned out mediocre. The top stitching is not pretty. And, GASP, the thing doesn’t fit (unless I have some ribs removed). I do meet the criteria set forth by the size I chose. Alas, my rib cage apparently does not.

And sew it goes…

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Two medium grey bobbins

machine

At least someone gets to go to the “spa.” The machine has been needing service for a couple of months, but I’ve been putting it off. It’s been skipping stitches when doing free motion. Her seams have been a little bunchy. But the machine quilting is really the problem. Yesterday I tried to quilt a small piece. Not gonna happen with that machine.

So, I pulled out the 1090, the old reliable back-up machine — my first Bernina. We did some tension adjusting together and went about our quilting business. I kept thinking, “my, I’ve gotten too used to the nice bright fluorescent light of the 440″ (in reality, the bulb on the 1090 keeps flickering and needs replaced). I contorted some Ott lights and carried on. We didn’t do too badly together. As bobbins do, the bobbin ran out about halfway through the quilting. So, I put the empty on the winder…no go. So, I just wound the bobbin on the 440 and finished the quilting on the 1090.

Fine.

Then I took the 440 in to the “spa” today. And then I wanted to do some piecing on the 1090 with some beige thread instead of grey. Even though I must have 100 bobbins, I had to un-fill one to have an empty for the beige. I put the empty on the 1090’s winder. Ooohhhh. That’s right. I forgot. It doesn’t work. Rassum frassum (no swearing…). So, for piecing, I am left with two partially filled medium grey bobbins until the 440 returns. Wish me luck.

In that case, I decided I needed to stitch something wee. So I did:

dresden

See, wee:

qtrdresden

We saw a lot of Westminster fabric mixed with batiks while at quilt market. A lot. One of my favorite booths was that of Virginia Robertson who had several beautiful quilts that used Westminster mixed with batiks. They were enchanting. They were new twists on traditional quilts. Of course, I was practically speechless (and not because of the drool) to be in such a quilting legend’s booth.

So, needing to conserve neutral thread (yes, 100 bobbins only two of which contain neutral thread…), I decide to bust out the batiks and Westminsters and get started:

dresdenpat

Genius!  Everything for the quilt top can be cut from 2 1/2″ strips!  Stephanie knows of the fun of making Dresdens from 2 1/2″ strips.

Speaking of Stephanie, do you have her new West Linn bag pattern yet????

wlinn

Not only is it cute, but it looks straightforward and fast. I can see this being a great gift for next year’s crop of 10 year olds. Well, and at least one for myself…

In other non sequiturs, I uncovered my copy of another Japanese lantern pattern by Trish Harper:

lanternlight

This one is pretty festive too, no? But those seams look too long for current bobbin rationing conditions. Later, then. But soon, hopefully.

Enjoy the weekend!

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Breaking up is hard to do

irondos

My iron keeps trying to break up with me. I’ve been reading a lot about irons on the blogs these days. Stephanie got a new one. Kathy did too. I just can’t give mine up. It’s about 15 years old. These days, sometimes it will heat up. More often, it won’t. I’m probably going to get electrocuted playing around with the plug and the outlet. I am hopelessly attached to my Rowenta. It breaks my heart just a little to read the reviews of the new Rowentas being so leaky. I’m so brand-loyal that I’d rather wait out this slow death than buy a different brand until I have to.

And auto shut-off is a deal breaker for me.

So, now, I keep two irons out. The Rowenta has pride of place unless it won’t heat up. If it won’t heat up, the trusty travel iron is called up. Of course, I’m trying not to fry the travel iron because it is very special too–ya know, it can be hard to find one with a pointy tip for prepping applique shapes. Do you think I’ve become too inflexible in my tool choices??? Oh well, I never thought I could be so happy when I see the little orange light on the Rowenta light up. One ought to just be able to take that for granted.

I am enjoying how crisply batiks iron up. Batiks know how to act when heat is applied. Oh, you want me to go that way? No problem, at your service. No fighting with batik seams, by golly! All of the triangle rows of the Heaven and Earth quilt are CRISPLY together and I auditioned some “filler” fabrics:

heavearth

I don’t like either of those fillers. Since I’ll be spending, oh, seven hours at a quilt store today, I might have the opportunity to find some other options.

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Lover’s knot/rose dream block

I thought I would post some info about this block:

rdblock1

I’ve seen this called Lover’s Knot and also Rose Dream. This is a 12″ pieced block (please refer to recent conversion to curved piecing…). I used a template set acquired on eBay from Jerry’s Gizmos. I had another set for an 8″ block but I thought the inset piece was a little narrow for my tastes. Can I add that the Bernina #57 patchwork foot really makes a difference for me in piecing these curves. I’m sure that other machines probably have a similar foot–a 1/4″ foot but with a little edger kind of thing. It helps me control the curve a little better–kind of like training wheels. I can’t stand to use #57 for straight seams (you know, already having found the 1/4″ “sweet spot” with a regular 1/4″ foot…), but love it for curves.

Matilda’s Own also has an acrylic set for 4″ and for 8″ blocks. You may be able to get those from Kathy. While it is super-easy to get goodies from Australia, I couldn’t find anyone in the U.S. who carries Matilda’s Own templates–and they make some great ones.

So, that’s the block info. The blocks are fun to make and the imagination runs wild with fabric and color possibilities. This may be a slow-moving project with a block added here and there. But I would like to run off and make a block right now…

EDITED TO ADD: I’m also wondering if the Melon Block template (templates make an 8″ block) from Elisa’s Backporch could be slightly modified to achieve the same block as above. One would need to cut both concave pieces using the shorter concave template and then add a square to two ends one of those pieces. Clear as mud, but I think this template set might work too.

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All ashore

Neptune top is done. It was smooth sailing. Guess I need to quilt it now. The Elisa’s Backporch templates were awesome!

neptop

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